Las Magias (Pájaros, Árboles, Venus y La Luna)In ancient times, the way of conceiving nature and existence revealed a worldview very different from the one currently postulated by conventional scientific discourse. "The Magics (Birds, Trees, Venus and The Moon) opens as a dialogue between this almost vanished worldview of nature and the agitations of the intimate, this dance, imagined on a framework that is supported by a geometric vision of great complexity, ranging from figurative gesture to geometric abstraction, has a purpose, to create a space of contemplation, that silences, that lightens the harshness of the concepts and softens the apparent rigour of this physical world. A complex dance from the point of view of composition and bodily interrelation, where the dynamism (not exalted) of the lines, with their multiplicity of combinations, and the mystery of a body that recognises itself beyond the material coexist. This dancing unity reveals softness and violence that speak of a human being who is not the centre but a reflection, a listener, a landscape... This space is born of a very deep relationship with nature, it is not detached from it, but is its own language.